WORKSHOP DESIGN

Workshops and Seminars combining theory and practice

I design media workshops and seminars which aim at understanding media language through a combination of theory and practice. All workshops are based on the idea that images and sounds are a vital and promising tool for both personal and group expression. They are multilayered forms, sign systems, which create frameworks for observation, inspiration, planning, problem solving, collaboration and exchange of ideas . Important factors which emerge are creativity, notions of  representation, and finally a relationship to an audience which generates critical discussions. Workshops aim at storytelling, based on the use of photography, video, sounds and text with space for drawing and collage, wheather analogue or digital.

The starting point may be a visual art exhibition (e.g. of Cindy Sherman’s early works, Cycladic Museum, 2024), a specific artistic practice (e.g. Opera, National Opera House, 2017-18), a community event ( Portrait Day, Danish Refugee Council, 2018-9), a professional group’s training ( librarians, Future Library, SNF, 2015-16. Target groups vary from school to university students and from professionals ( teachers, educators, librarians, social workers) to citizens who are interested to learn film making techniques for their own pleasure and development.

01

Media Literacy Practices with resilience


 


Aiming at a variety of audiences, especially with lower language skills, with a transgenerational and trandisciplinary attitude. I propose a media education strategy which involves deconstructing film and audiovisual narratives to self contained units. These units develop in both analogue and digital practices, introducing media literacy and critical thinking skills. The method connects to a range of audiences because of the universal and engaging nature of storytelling.


02

Short stories: less is more. One shot, no dialogue short films.


 


Aiming at getting deeper to dense visual storytelling, this workshops analyses filmmaking in the international non dialogue style and presents the power of one take short films and scenes.


03

The short documentary language


 


Based on short documentaries by M Leonida and other participatory productions, this workshop reveals the freedom and plasticity of the documentary language.

Particular importance is given to the value of sound, as voice over, dialogue, synchronous sounds and added effects.


SOME MORE

WORKSHOPS

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